EVENT: Human Rights Challenge: Judicial and Extrajudicial Drug War Killings, in a Time of Authoritarianism
Human Rights Challenge: Judicial and Extrajudicial Drug War Killings, in a Time of Authoritarianism
side event at the UN High Level Political Forum on Sustainable Development
Church Center of the United Nations, 1st Avenue & 44th Street, 10th Floor
July 16, 2018, noon-2:00pm ET
RSVP to [email protected] (requested but not required)

A devolution into governmental barbarism would threaten the achievement of a variety of components of the UN's Sustainable Development Goals for 2030, in the areas of health, rule of law, equal justice, peace, and strong institutions.
This panel will discuss what the needed partnerships may be for fending off such a scenario. Sectors or institutions of possible discussion include the ICC, UN human rights bodies, national human rights institutions, courts, public interest/human rights law, drug abuse services, the philanthropic sector, and media, among others. The event is the third in a series, the first two of which took place at the Commission on Narcotic Drugs 2017 and 2018 meetings in Vienna.
Speakers (subject to change):
- Justine Balane, International Secretary, Akbayan Youth, Philippines (via Skype)
- Agnès Callamard, UN Special Rapporteur on Extrajudicial, Summary or Arbitrary Executions (via Skype)
- Senator Risa Hontiveros, Republic of the Philippines (video – invited)
- Jason Wright, Professor of Practice, Washington & Lee School of Law
- Moderated by David Borden, Executive Director, StoptheDrugWar.org
Sponsored by DRCNet Foundation (AKA "StoptheDrugWar.org"). Cosponsored by:
- Asian Network of People Who Use Drugs
- Dianova International
- Ecumenical Advocacy Network on the Philippines
- FAAAT.net - French Alternatives on Addiction And Toxicomanies
- Fields of Green for All
- Filipino American Human Rights Alliance
- Help Not Handcuffs
- Housing Works
- International Coalition for Human Rights in the Philippines
- Netherlands Drug Policy Foundation
- New York NGO Committee on Drugs
- Northern California Chapter, National Ecumenical-Interfaith Forum for Filipino Concerns
- REDUC - Brazilian Harm Reduction and Human Rights Network
- Samuel DeWitt Proctor Conference
- Students for Sensible Drug Policy
- United Methodist Church-General Board of Church and Society
- Zimbabwe Civil Liberties and Drug Network
Philippines
The Philippines is one example of this. I'm really praying that a change is gonna come.
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Change is coming!
Change is coming! Now that the Philippines has a newly elected president, we all hope that the new administration paints a new face to the Philippines. A nation that has equal justice, peace, and strong institutions.
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In fact, the "forms/genres"
In fact, the "forms/genres" of literature in itself arise from the use and construction of language material in different forms or styles, in line with social and cultural needs and acceptances. In other words, genres are the set of institutionalized aesthetic means and values that the tradition presents to the artist, which the reader is also familiar with. Because literature is a fine art made with “language”. The most important feature that distinguishes it from other fine arts is that its material is language. “Literary genre theory is a principle of ordering. This theory classifies literature and literary history not according to elements such as period and national language from time to time, but especially according to the types of literary establishment or structure.[2] Bringing this fact to the agenda of academic circles dealing with the science of literature for the first time in Turkey, Prof. Dr. Şerif Aktaş proposes that the way of using and constructing the language should be taken as a basis in the internal classification of literature or in the determination of its forms/types.[3] Because, attempting to explain the literary form/types based on the subject of the literary work or some of its secondary morphological features will leave the literary scientist in the middle of nowhere. According to Şerif Aktaş's approach, "epic", "parable", "tale", "legend", "folk story", "mesnevi", "anecdote", "story" and "novel" constitute the "Work/Genres" group of literature.[4] In the works/genres in question, language is used in the direction of telling something, telling a story, and conveying. Therefore, the most basic feature that distinguishes the aforementioned work/genres from the Work/Genres (theatre) Based on the Principle of Demonstration and the Work/Genres (poem in prose) is the way/style of using the language and editing.In fact, the "forms/genres" of literature in itself arise from the use and construction of language material in different forms or styles, in line with social and cultural needs and acceptances. In other words, genres are the set of institutionalized aesthetic means and values that the tradition presents to the artist, which the reader is also familiar with. Because literature is a fine art made with “language”. The most important feature that
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material in different forms
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