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Change is coming! Now that the Philippines has a newly elected president, we all hope that the new administration paints a new face to the Philippines. A nation that has equal justice, peace, and strong institutions.

Then, we can easily say that since people discovered the rhetoric, they have largely preferred the story form in the aesthetic expression of emotions, dreams, impressions and experiences.

In fact, the "forms/genres" of literature in itself arise from the use and construction of language material in different forms or styles, in line with social and cultural needs and acceptances. In other words, genres are the set of institutionalized aesthetic means and values ​​that the tradition presents to the artist, which the reader is also familiar with. Because literature is a fine art made with “language”. The most important feature that distinguishes it from other fine arts is that its material is language. “Literary genre theory is a principle of ordering. This theory classifies literature and literary history not according to elements such as period and national language from time to time, but especially according to the types of literary establishment or structure.[2] Bringing this fact to the agenda of academic circles dealing with the science of literature for the first time in Turkey, Prof. Dr. Şerif Aktaş proposes that the way of using and constructing the language should be taken as a basis in the internal classification of literature or in the determination of its forms/types.[3] Because, attempting to explain the literary form/types based on the subject of the literary work or some of its secondary morphological features will leave the literary scientist in the middle of nowhere. According to Şerif Aktaş's approach, "epic", "parable", "tale", "legend", "folk story", "mesnevi", "anecdote", "story" and "novel" constitute the "Work/Genres" group of literature.[4] In the works/genres in question, language is used in the direction of telling something, telling a story, and conveying. Therefore, the most basic feature that distinguishes the aforementioned work/genres from the Work/Genres (theatre) Based on the Principle of Demonstration and the Work/Genres (poem in prose) is the way/style of using the language and editing.In fact, the "forms/genres" of literature in itself arise from the use and construction of language material in different forms or styles, in line with social and cultural needs and acceptances. In other words, genres are the set of institutionalized aesthetic means and values ​​that the tradition presents to the artist, which the reader is also familiar with. Because literature is a fine art made with “language”. The most important feature that

it from other fine arts is that its material is language. “Literary genre theory is a principle of ordering. This theory classifies literature and literary history not according to elements such as period and national language from time to time, but especially according to the types of literary establishment or structure.[2] Bringing this fact to the agenda of academic circles dealing with the science of literature for the first time in Turkey, Prof.

material in different forms or styles, in line with social and cultural needs and acceptances.

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However, the common side is that the imagination of the author or society (anonymous works) has established a fictitious world that becomes increasingly evident with the said elements. In other words, after a certain selection and sorting process, the material compiled from the world we live in is reconstructed in accordance with the subject in the mind of the artist and in an aesthetic way. Therefore, the story always presents us with a nominal world. Although the people of this world are similar to those in the world we live in, in their events, places and times, they are actually different and different from them. Here is the main difference that separates the story from "history" "memoir" "biography" and "autobiography". In addition, reputation is one of the indispensable values ​​in terms of the literariness of all works. The success of the artist is not in imitating the experiences of himself or others, but in creating an extremely consistent and aesthetic nominal world in accordance with the subject/theme in his mind.

At this point, we should say that the story differs very clearly from “poetry”. Because the storyteller cannot reveal the subject, theme and message directly and directly as the poet does. The subject has to load the theme and message to the basic elements mentioned above. Therefore, the events, persons, places and time in the story are actually figures or symbols in the concretization of the subject, theme and message in the mind of the artist.

The situation in question reminds us of the fact that the story, like all works/genres, is a symbolic form to a great extent. The symbolic structure in it reveals itself much more clearly in our "tales" and "mesnevi". This means that in the story, the subject, the theme and the message, the plot, the person, the place and the time elements are loaded to the whole of the nominal world or hidden in the whole. In other words, it is left to the mind and intuition of the reader indirectly, not directly. However, the poet expresses his feelings, dreams, thoughts and impressions directly, explains and explains them. (What we want to say here is more than the fictitious world of poetry loaded with images.)

In addition, in the poem, the artist, who closes himself on his own spiritual world, focuses his attention more on the life he lives in and the people of this life. “Unlike poets, storytellers talk about 'others' rather than their 'I'. In particular, 'dispute and conflict between people' has an important place in the story.