Art
Drugs, Freedom, and Responsibility at Burning Man
Editor's note: This is a repost of the piece I wrote about Burning Man last year. I couldn't top it, so I'm sharing it again. Enjoy.
Having just emerged from one of the most epic experiences of my life, I'd like to share a few thoughts before returning to my usual news-skewering routine. Don't worry, it's about drug policy, although I'm proud to say I did manage to go an entire week without thinking about the drug war much at all.

Let's just say the outcome is substantially more graceful and orderly than even my own wide-open mind could have anticipated. I've seen far more sloppiness and idiocy at any football game I've ever attended than I did at Burning Man, even after dark when the serious weirdos really get down to business. Not even an abundance of liquid acid can unravel the inherent civility that takes hold when an intentional community of caring and curious people unites to celebrate free-expression on its own terms.
No major festival is entirely immune to the disruptive influence of individual trouble-makers, but Burning Man has established an impressive track record of general safety and cohesion going back many years now. It's a brilliant exhibit in the viability of expanding the boundaries of acceptable human behavior, particularly insofar as anyone who doesn't want to see naked people driving around in fire-breathing dragon-cars can simply choose not to attend.
The whole experience for me became yet another reminder of the profound stupidity of attempting to purge the psychedelic experience from our culture. If the paranoid fulminations of the anti-drug demagogues even approached the truth, an event such as this could never exist, for the playa would be soaked in blood and tears before the first sunrise. Once it's understood that the post-legalization drug apocalypse we've been taught to fear for so long is nothing more than a mindless fantasy, the justification for war evaporates faster than sweat under the desert sun.
re:Form -- Art Auction and Cocktail Reception
An art auction and cocktail party is being held in Los Angeles to benefit the Drug Policy Alliance. For more information and to register, see: http://www.reformartauction.org/component/option,com_frontpage/Itemid,1/
The Writing on the Wall: Calendar Portrays America's Longest War
Prison Art Gallery: Our First Spring Prison Art Show in Downtown, DC
It's fun, it's free, it's convenient, and it features (live, in person) ex-prisoner artist Jahi Foster-Bey. Join us as we unveil our latest prisoner-made art and jewelry for 2010. It's happening this Saturday and Sunday (March 13 and 14) 10 AM to 6 PM at the north entrance of the Dupont Circle Metro in downtown Washington, DC.
Multi-talented artist Jahi Foster-Bey will be on hand to answer your questions about creating art in prison and what it takes to succeed as an artist on outside. You've seen Jahi perform at the Kennedy Center, viewed his commissioned work in Spin magazine, and seen his extraordinary art on display at the Prison Art Gallery. Now meet him in person and purchase a unique ring, bracelet or necklace he created for just $15. Come out and show your support, while walking away with something beautiful.
If you're not going to be in Washington, DC during the weekend, please visit our website by clicking here to view and purchase hundreds of works created by presently or formerly imprisoned artists. Thank you.
All art on this page created by artists represented by the Safe Streets Arts Foundation, including "Obama" by Jahi Foster-Bey
"The Safe Streets Arts Foundation, incorporating both the Prisons Foundation and the Victims Foundation, is proud to sponsor the annual From-Prison-to-The-Stage Show at the Kennedy Center and the Prison Art Gallery at 1600 K Street. NW, Suite 501, Washington, DC, three blocks from the White House."
Stars of “From Prison to the Stage” at Kennedy Center return to Connecticut
Prison Tattoo Art Contest Winners
Hello everyone,
We have the winners for the 2009 Prison Tattoo Art Contest. Go to our web site and check them out.
We received so much astonishing art that it was difficult to choose the winners, but as usual, we have. We have also selected other artists to be displayed in "Prison Ink" the tabletop tattoo art book that will be released sometime in 2010. Watch our web site for changes and other announcements regarding "Prison Ink".
If you have not been notified regarding the contest you are not a winner. Winners have already been notified. Artists selected to be in the book will be receiving their notification within the next few weeks. Please do not contact us about your status we will send out all notifications by US mail.
We would also like to apologize for our late beginning for the second short story contest. The delay is due to limited funds. We will be holding the contest real soon - our priority is paying the winners of the art contest. Thank you for you patience and understanding in this matter.
Remember our stories can change the world,
Theresa M. Huggins
CEO, Shot Caller Press, LLC
503-890-1027
Safe Streets Arts Foundation: International Publicity for Our Prison Art Show
Canadian Radio Station Interview about our Upcoming Pano Prison Art Show
(Listen to It at Your Leisure)
Listen to our interview
live on Monday, June 8, 10:30 pm Eastern time on a prominent Vancouver, Canada radio station at www.coopradio.org or, if you miss it, listen to the podcast at www.rabble.ca.
The subject of the radio interview is
our upcoming free art show featuring "Pano" art created in prisons across America. This is a special show called "Pano in American Tradition" at Takoma Park Community Center (Gallery 3), 7500 Maple Ave, Takoma Park, Maryland from June 12 to July 25, 2009. The art is part of the collection of the Safe Streets Arts Foundation, which operates the Prison Art Gallery in Washington DC. The opening reception will take place on June 12 from 6 to 9 pm, and will feature live music by ex-prisoner guitarist Dennis Sobin, who has performed at the Kennedy Center.
Paño art draws on the deepest emotions of prisoners whose artistic expression is limited only by the materials at hand. The word paño (Spanish for cloth or handkerchief) has come to mean the art form itself -- a ball point pen or colored pencil drawing on a handkerchief.
Scholars have yet to determine the origin of paño art but some believe that it emerged in the 1940s among Chicano prisoners in the Southwestern United States who drew on the handkerchiefs or torn bed sheets. They do this because finding materials for artistic expression is difficult.
The portable and economical aspects of the Paño (handkerchief) allow prisoners to share their work with family and friends, use in bartering, and to mentally escape prison life. Today paño art is associated with Chicano inmates around the country, both male and female, who neatly fold paños into envelopes and mail them to loved ones.
Paños typically depict prison life, loved ones, dreams, memories, or personal experiences. Paño artists take much of their imagery and inspiration from the larger visual arts vocabulary of Chicano art conspicuous in murals, posters, low rider cars, graffiti, and tattoos.
Most prisons offer handkerchiefs for sale in the commissary and tacitly sanction the art. Panos are collected in great numbers by convict patrons. The Smithsonian Museum has a pano collection, recognizing the uniqueness of this art form.
The Safe Streets Arts Foundation, incorporating both the Prisons Foundation and the Victims Foundation, is the sponsor of the annual From-Prison-to-The-Stage Show at the Kennedy Center and the Prison Art Gallery in Washington, DC. It is supported through the generosity Lloyd S. Rubin, ex-prisoner and international arts consultant.
For more information about the free Pano art show sponsored by the City of Takoma Park and taking place at the Takoma Park Community Center (Gallery 3) from June 12 to July 25, 2009, contact Stéphan Janin at: [email protected]
"The Safe Streets Arts Foundation, incorporating both the Prisons Foundation and the Victims Foundation, is proud to sponsor the annual From-Prison-to-The-Stage Show at the Kennedy Center and the Prison Art Gallery at 1600 K Street. NW, Suite 501, Washington, DC, three blocks from the White House."