From a handful of federally-approved patients in the late 1970s and 1980s, the American medical marijuana movement has grown by leaps and bounds, with tens of thousands of people in a dozen states now officially registered as medical marijuana users. God alone knows how many people in the remaining 38 states where it is still illegal are smoking pot for the relief of pain, to induce appetite, to reduce the nausea associated with chemotherapy, to help with glaucoma, to reduce the tremors and spasms associated with multiple sclerosis, or an ever-increasing list of medical conditions helped by a puff on a joint or a bite of a marijuana-laced brownie.
But resistance to medical marijuana remains strong. The federal government -- especially its anti-drug bureaucracies, the DEA and the Office of National Drug Control Policy -- is unalterably opposed to its use, while parent anti-drug groups fear that allowing the medicinal use of marijuana will "send the wrong message" to their children. For other foes, medical marijuana is simply one more front in the culture war against hippies and liberals that has been raging for nearly four decades now.
In just over one hour, "Waiting to Inhale," the recently released video by documentary filmmaker Jed Riffe tells the story of the battle over the healing herb. While decidedly sympathetic to medical marijuana, the video also takes pains to present the other side of the story.
We hear ONDCP spokesman David Murray painting a portrait of a dark conspiracy to legalize drugs. "Who is pushing this and why is it being pushed?" he asks. "The agenda is well-funded and being driven to remove the barriers between themselves and the drug they like or are addicted to." Later in the video, Murray calls medical marijuana "a fraud."
Similarly, and more realistically, DEA San Francisco office spokesman Richard Meyer warns that "some traffickers are using [the California medical marijuana law] Prop. 215 as a smoke screen."
Riffe also makes a place for the anti-drug parents' movement, featuring interviews with legendary drug war zealot Sue Rusche, who explains that a trip years ago to a record store with her children where the kids were exposed to a display case of bongs, pipes, and other pot paraphernalia set her on a course of activism. Riffe shows a parents' anti-drug movement that, while still appearing hideously regressive to drug reformers, shows signs of moderation and sophistication. In one scene, Rusche brings out the old canard about "gateway drugs," but says they include "tobacco, alcohol, and marijuana." In another scene, members of a parents' group talk about providing honest information -- not just trying to scare the kids.
While the parents' anti-drug movement -- a key bastion of support for the renewed drug war of the Reagan era and ever since -- may be adapting to adversity, it is also being changed from within. Riffe interviews New Mexico youth counselor Miguel Santesteban, who is working with the anti-drug group Parents United, and Santesteban has some surprising things to say. "Perhaps when it comes to marijuana," he said, "the better message for them to hear is that there is a responsible context for use." Santesteban didn't seem too impressed with federal anti-drug efforts, saying, "If I was the drug czar, I'd give half my budget to the public schools" and "This sending a wrong message thing is a crock."
But despite the time given to the anti-side, it is clear that Riffe's interest and heart is with medical marijuana patients and their fight for safe access to their medicine. The video begins with Mike and Valerie Corral, the founders of the Wo/Men's Alliance for Medical Marijuana [13] (WAMM) co-op outside Santa Cruz, recounting how the DEA raided them at gunpoint in 2002, then cuts to Irv Rosenfeld, "Patient #1," in the federal government's compassionate access program, which allowed a tiny number of patients to smoke federally-produced weed until President Bush the Elder ended it in 1992. Rosenfeld and seven others were grandfathered in, and Rosenfeld, a Florida stockbroker, smokes 10 joints of fed weed a day in a largely successful effort to fend off the pain of a chronic bone disease.
Riffe also brings into the mix the doctors and researchers who have renewed the science of medical marijuana after the half-century-long lacunae created by marijuana prohibition. Riffe interviews Raphael Mechoulam, the Israeli researcher who isolated THC, who explains that marijuana has a medicinal history thousands of years long, and he interviews Dr. Lester Grinspoon, one of the earliest American academic advocates of medical marijuana.
After marijuana prohibition, Grinspoon explains, "physicians became ignorant about cannabis" because of Federal Bureau of Narcotics head Harry Anslinger's Reefer Madness propaganda campaign against it. With unknowing doctors regurgitating drug warrior claims about the evil weed, "physicians became not only the victims, but also effective agents of that propaganda campaign."
While Irv Rosenfeld and Robert Randall ("Patient #0") in the federal compassionate access program were puffing their fed weed in the 1980s, the AIDS epidemic was beginning to rear its ugly head, especially in San Francisco, and Riffe very deftly shows how what had been a movement for gay rights morphed into a movement for the rights of AIDS patients and then became one more stream in the rapidly emerging medical marijuana movement.
Riffe talks to a lot more people -- patients, doctors, researchers, politicians -- than I have space to mention, and "Waiting to Inhale" excels at drawing together the disparate strands that make up the medical marijuana story. As much as it is a paean to the wonders of medical marijuana, "Waiting to Inhale" manages to tell the complex, complicated story of a mass movement, a scientific journey, and an ongoing political battle, and it does so in an engaging, moving fashion. For anyone who is curious about the contours of the medical marijuana issue, "Waiting to Inhale" is a valuable -- and eminently watchable -- resource.
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Click here [15] for the film's official web site, including an online trailer and list of upcoming screenings.